Hui-Hsuan Hsu visualises and transfers observations of easily ignored objects and phenomenon into a digital form. Using digital techniques as an extension of, and as compensation for, weaknesses of the body’s senses: digital devices play roles as “semi-transparent prosthesis” connecting the object photographed, artists and viewers and create a rhythm amongst the physical, the mechanical and the perceptional in Hsu’ works. Hsu questions the notion of ‘point of view’ whereby the camera becomes a more active agent between the artist’s ‘seeing’ and mental perception. Hsu’s video pieces may create a sense of paradoxical imagination, which guide audiences’ consciences floating between the familiar and the unfamiliar, the recognisable and the unrecognisable. A different experience to watching mainstream film, Hsu’s work creates in audiences an uncertain perception and provocative ambiguity through gazing her ‘moving image objects.’

創作自述